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作者:Edward George Earle Lytton Bulwer

Edward George Earle Lytton Bulwer
(1803–1873)
1st Baron Lytton; English novelist, poet, playwright, and politician; a florid, popular writer of his day; was also known by the names Edward Bulwer-Lytton; Lord Lytton; Edward Bulwer Lytton Lytton; Edward Bulwer-Lytton, 1st Baron Lytton; Sir Edward Bulwer Lytton, Bart.; and the pseudonym, Pisistratus Caxton
Edward George Earle Lytton Bulwer

Works

  • O'Neill (1827, anonymous)
  • Falkland (1827, anonymous) (external scan)
  • Pelham: or, Adventures of a Gentleman (1828, anonymous) (external scan)
  • The Disowned (1829, anonymous) (external scan)
  • Devereux (1829, anonymous) (external scan)
  • Paul Clifford (1830, as "E.B.L.")
  • Eugene Aram (1832, anonymous) (external scan)
  • Asmodeus at Large (1833, anonymous) (external scan)
  • Godolphin: A Tale (1833, anonymous) (external scan)
  • England and the English (1833, 2 editions)
  • The Last Days of Pompeii (1834, anonymous) (external scan)
  • The Pilgrims of the Rhine (1834, anonymous) (external scan)
  • A Letter to a Late Cabinet Minister on the Present Crisis (Mr. Bulwer; or, The Present Crisis) (1834) (external scans (multiple parts): 1, 2)
  • The Student (in New Monthly Magazine, 1835)
  • Rienzi: The Last of the Roman Tribunes (1835) (external scan)
  • Athens: Its Rise and Fall; With Views of the Literature, Philosophy, and Social Life of the Athenian People (1837) (external scans (multiple parts): 1, 2)
  • Ernest Maltravers: or, Eleusinia (1837, anonymous) (external scan)
  • Alice; or, The Mysteries (1838, anonymous) (external scan)
  • Calderon, the Courtier: A Tale (1838, anonymous) (external scan)
  • Leila; or, The Siege of Granada (1838) (external scan)
  • Night and Morning (1841, anonymous)
  • Zanoni (1842, anonymous) (external scan)
  • The Last of the Barons (1843) (external scan)
  • Confession of a Water Patient (1845)
  • The Crisis (1845, anonymous)
  • The New Timon (1846, anonymous)
  • Lucretia (1846, anonymous)
  • A Word to the Public (1847, anonymous)
  • Harold, the Last of the Saxon Kings (1848, anonymous) (external scan)
  • The Caxtons: A Family Picture (in Blackood's Magazine, 1849) (external scan)
  • Night and Morning (1851)
  • Letter to John Bull, Esq. (1851)
  • Outlines of the early history of the East (1852)
  • "My Novel," by Pisistratus Caxton: or, Varieties in English Life (in Blackwood's Magazine, 1853) (external scan)
  • Address to the Associated Societies of the University of Edinburgh (1854)
  • Speech at the Leeds Mechanics' Institution (1854)
  • Clytemnestra, The earl's return, The artist, and other poems (pseudonym Owen Meredith, 1855) (external scan)
  • The Haunted and the Haunters: or, The House and the Brain (1857) (external scan)
  • What Will He Do with It?: A Novel, (1858, pseudonym Pisistratus Caxton) (external scan)
  • St. Stephen's (1860, anonymous)
  • A Strange Story (1861, anonymous)
  • Caxtoniana (1863) (external scan)
  • The Lost Tales of Miletus (1866)
  • The Coming Race (originally published in Blackwood's, 1871, anonymous)
  • The Parisians (in Blackwood's, 1873) (external scan)
  • Kenelm Chillingly: His Adventures and Opinions (1873, anonymous) (external scan)
  • Pausanias, the Spartan: An Unfinished Historical Romance (1876, posthumous) (external scan)

Plays

  • The Duchess de la Vallière (1836) (external scan)
  • The Lady of Lyons; or, Love and Pride (1838) (external scan)
  • Richelieu; or, The Conspiracy (1839, anonymous) (external scan)
  • The Sea-captain; or, The Birthright (1839, anonymous) (external scan)(also The Rightful Heir, 1868, anonymous)
  • Money: A Comedy (1840, anonymous) (external scan)
  • Not So Bad as We Seem; or, Many Sides to a Character (1851) (external scan)
  • Walpole (1869)

Poetry

Translations

References

  • The Library of Literary Criticism of English and American Authors: 1855-1874 (Charles Wells Moulton, ed.); (external scan)

Works about Bulwer

Works by this author published before January 1, 1925 are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.


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